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By : Georges Banu - Friday, 24 September 2010 16:00 |
 To Georges Banu, the role and the actor represent two levels of different realities. Which one promotes the other? Is it the actor that has reached a superior level of reality by embodying the role? Or is it the role that brings to the person its clothes, When one and the other gather to be one: does this eureka also constitute a third level of reality? Thus, when Shakespeare makes Richard II say when he abandons the crown, "After a well-graced actor leaves the stage, are idly bent on him that enters next? Does he separates the King (3) the role (2) and the "human carcass" (1): each part has a different level of reality.
Peter Brook noted in his book « The empty space » that there were three forms of theater : the two first are antagonists with on the one hand sacred theater which aim is to make invisible visible, and on the other hand row theater which is based on the sublimation of the most concrete dimension of reality. A third way, to Peter Brook, exists, thanks to immediate theater which mixes visible and invisible: discontinuity principle y heterogeneity.
 
Killing the uniting system of Aristotle who qualified as « monstrous » the absence of homogeneity, Georges Banu shows in this presentation the importance of the heterogeneity and of contradiction which become a source of creating energy and builds the appearance of discontinuity as dynamical principle “which organizes and structures”… principle which will give birth to avant-gardes and will inspire authors like Joyce, Sarah Kane, Beckett.
 
When the artist leaves the stage and takes off his makeup, in front of his glass: does he still bear his character? This remaining would look like the Tiers inclus developed by the metaphysician Stéphane Lupasco and shown by Basarab Nicolescu in his latest book “What is reality” (Ed Liber)?
When Einstein discovered relativity, at the same time Pirandello asked the same question: where is the real, where is fiction? Real and fiction belong to the same reality? It appears that simultaneously, in an interdisciplinary logic, searchers gather their quests, and we observe that nowadays between mystic and quantum mechanics.
The sacred is the only vector which can transmit a meaning? What aim do theater and art have to serve?
So many fascinating questions in this 40-minutes debate filmed at the Forum 104, with Basarab Nicolescu, Adonis, Jean Pian and George Banu. Presented by Petre Raileanu and Fulvio Caccia.
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