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Théâtre
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By : Marco Baschera
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Monday, 19 March 2012 23:00 |
Was the death of Molière, on stage, while performing the The Imaginary Invalid a fatal synchronicity linked to Chronos, the God of time ? Marco Baschera, philosopher, has been haunted for several years by the expression: "Death to death". Striking sentence which appeared in two plays of the playwright Valère Novarina : L’Origine Rouge (The Red Origin in 2000) and l’Acte Inconnu (The Unknown Action in 2007). The Ariadne's thread of the thoughts of Marco Baschera is about the links between theoretical thoughts and theater.
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By : Lydie Parisse
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Monday, 20 February 2012 00:00 |
"Mystic is a language which goes through time, beliefs and cultures ! " says Lydie Parisse... However literary works of mystic authors are not much studied for their intrinsic value" she regrets. The influence of mystic on literature or theater is indeed considerable: Thérèse D'Avila on Barbey d’Aurevilly, Ludivine de Schiedam on Huysmans,
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Théâtre
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By : Georges Banu
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Friday, 24 September 2010 16:00 |
 To Georges Banu, the role and the actor represent two levels of different realities. Which one promotes the other? Is it the actor that has reached a superior level of reality by embodying the role? Or is it the role that brings to the person its clothes, When one and the other gather to be one: does this eureka also constitute a third level of reality? Thus, when Shakespeare makes Richard II say when he abandons the crown, "After a well-graced actor leaves the stage, are idly bent on him that enters next? Does he separates the King (3) the role (2) and the "human carcass" (1): each part has a different level of reality.
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